Exciting opportunity to tinker with the iconic key art for John Carpenter’s subversive masterpiece!
Fights the urge to drop a dead pan “groovy”.
Deranged collab with southern rock wunderkinds Crobot, mashing up a range of Umbrella’s gnarly horror titles for a metal fuelled Halloween promo.
Play about with the legendary fantasy artist Boris Vallejo’s iconic artwork? Yes thanks.
Sometimes you just need to go full throttle neon.
The full speccy edition treatment for Jennifer Kent’s 2014 Australian psychological frightener. I’ll spare you the Babadook Christmas card.
Theatrical poster for Mark Hartley’s (Not Quite Hollywood) 2013 remake of the Ozploitation classic. There are so many versions of this poster it almost destroyed a hard drive.
Probably my favourite iteration of this poster en route to the final version (v17). Inexplicably shows up on the search summary for the flick here in 2025.
How the sausage is made - a hard pivot away from the poster art for the home release.
There was a time, in the early 2010s (remember? The internet was still fun then) when one of the sure fire ways to get some eyeballs on your work was to design alternative posters for popular – or not so popular in this case – flicks.
Bong Joon-Ho’s ‘Snowpiercer’ continues to rule.
Dipping the toe into the sunnier aesthetic of The Rock’s very modest show about himself, being young.
Sweaty, sticky-carpet, three big boys on the floor rock and roll documentary glory from the iconic Aussie trio. A lot of fun to work on.
Some social media clickbait targeting crotchety podcast pioneer Marc Maron’s then-new TV show, Maron.
What an absolute privilege to bring this one into the world. A real blast to play with all of those glorious Harryhausen creations and tie something appropriately reverential together for this celebration of an innovator.
This nugget of Australiana inexplicably featured on the Independent Movie Poster Awards shortlist in 2013. Would you get away with adding “the whingeing Pom” to your key art here in 2025? The jury’s out!
Was there any film distributor more gonzo than Cannon Films? Get this sizzle reel in your eyeballs if your answer was “who?”.
It really is time for a ninja renaissance.
Jonathan Glazer’s deeply unsettling 2013 sci-fi chiller ‘Under The Skin’ was a top five entry for that year. Here’s my alt poster take, based on a particularly unsettling scene.
Yet another exercise in salvaging ancient assets to do justice to the Aussie cinematic history being venerated.
Lending a veneer of credibility to an unauthorised doco on the beloved pop icon - I’ll always lean hard into the magenta and vinyl when the opportunity arises.
Arguably, this is where the franchise detoured into mediocrity (Hellraiser 3 is a hill I will die on for CD cenobite alone), but there’s still something deeply satisfying about unpacking a whole lot of meat and chain assets for the key art.
Most people don’t know that some of these legacy releases targeted at the Boomer market are built entirely from dusty old slides and screen grab assets. Always a fun challenge to build these titles from scratch, pretty much.
Artwork for Melbourne director Micca Delaney’s short film ‘The Wizard’, starring Damon Gameau.
Unparalleled pleasure to work on this home release for the 1983 Ozploitation classic, which was shot by Russell Mulcahy in Silverton, not far from Broken Hill, NSW, where this guy grew up.
Leaning into the iconic black and white key art for these classic Fellini Blu-Ray re-releases.
Leaning into the iconic black and white key art for these classic Fellini Blu-Ray re-releases.
Probably the most metal DVD slick I’ve ever worked on. Fire? Check. Goat mask with lurid glowing eyes? Check? Enormous pentagram? Also check.
Speaking straight to my inner 13-year-old, the artwork this collection of the underwhelming telly show leans heavily into the Frank Miller inspiration of the Dark Horse comics.
There’s not much more enjoyable (film art wise) than the opportunity to reimagine classic 1950s sci-fi art for a DVD release. The typography! The painted assets! Giant eyeballs!
Always a real hoot to grab a bunch of assets from the web, set the timer, and bang out an alt take on promo artwork for the properties that are blowing up at the time. Here’s my review of the flick.